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Learning Space dedicated to the Art and Analyses of Film Sound Design |
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FilmSound.org |
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Dramatically broadening the previous field of research on sound, Sound Theory/Sound Practice promises to renew the debate over the importance of sound to cinema, from a theoretical as well as a historical perspective. Individual essays cover such diverse topics as the conversion to sound, cartoon sound, documentary sound, and voices of women in third-world cinema. Part One: Theoretical Perspectives
3. Sound Space
4. Reading, Writing, and Representing Sound
5. She Sang Live, but the Microphone was Turned
Off: The Live, the Recorded, and the Subject of Representation
6.Wasted Words
Part Two: Historical Speculations
7. Conversion to Sound,
8. Translating America: The Hollywood Multilinguals 1929-1933
9. 1950s Magnetic Sound: The Frozen Revolution
Part Three: Neglected Domains
10. Women's Voices in Third World Cinema,
11. The Sound of Early Warner Bros. Cartoons,
12. Imagining the Sound(s) of Shakespeare: Film Sound and Adaptation by Mary Pat Klimek 13. Conventions
of Sound in Documentary 14. Let
There Be Sound: The Films of Andrei Tarkovsky
Afterword: A Baker's Dozen of New Terms for Sound Analysis
Sound Theory Sound Practice is avaible at Internet bookstores as Amazon
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