|
Learning Space dedicated to the Art and Analyses of Film Sound Design |
|
|
FilmSound.org |
|
BFI Film Readers
Routledge
Paperback © 1992
ISBN: 0-415-90457-9
Publication Status:
In Print
Readership: Students
of film and sound technology
Published in English
, First Published in the EU September 1992
Size: 256 pages
US List Price: US $16.95
UK/European Community
List Price: £11.99
1.General Introduction: Cinema as Event
2.The
Material Heterogeneity of Recorded Sound Part One: Theoretical Perspectives
Introduction:
Four-and-a-half Film Fallacies
3.Sound Space Rick Altman
4.Reading, Writing, and Representing Sound Jim Lastra
5.She
Sang Live, but the Microphone was Turned Off: The Live, the Recorded, and
the Subject of
Representation Steve Wurtzler
6.Wasted Words Michel Chion Part Two: Historical Speculations Introduction: Sound/History
7."Conversion to Sound] Alan Williams
8.Translating America: The Hollywood Multilinguals 1929-1933 Natasa Durovicova
9.1950s
Magnetic Sound: The Frozen Revolution John Belton Part Three: Neglected
Domains Introduction:
Sound's Dark Corners
10.Women's Voices in Third World Cinema Amy Lawrence
11.The Sound of Early Warner Bros. Cartoons Scott Curtis
12.Imagining the Sound(s) of Shakespeare: Film Sound and Adaptation Mary Pat Klimek
13.Conventions of Sound in Documentary Jeff Ruoff
14.Let
There Be Sound: The Films of Andrei Tarkovsky Andrea Truppin Afterword:
A Baker's Dozen of New
Terms for Sound Analysis Notes Works Cited
to Film Sound Theory
- narrative
SFX & film sound design