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bfi:
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filmmaking.net:
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"An engaging resource for
those in the biz as well as casual fans of flicks."
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About:
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BEGINNERS
GUIDE:
NEW
SOUND DESIGN ARTICLES:
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Duma
-
Sounds of an african adventure
Mix,
Jan 1, 2005 |
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The
Aviator
Mix, Mar 1, 2005 |
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Alexander
Sonic Stone
Millimeter, Dec 1, 2004 |
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Creating
Lemony Snicket's peculiar sound
Crazy Cars and Man-Eating Leeches
Mix, Dec 1, 2004 |
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Inside
The Assassination of Richard Nixon
Mix,
Jan 1, 2005 |
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Sounds
of L.A. Propel Collateral
Mix Sep 1, 2004 --
COLLATERAL |
|
Surrounded
by Dr. Octopus!
Mix, Jul 1, 2004 -- SPIDER-MAN 2 |
Best
Achievement in Sound |
Winner: Ray
(2004) - Greg Orloff, Bob
Beemer, Steve
Cantamessa, Scott Millan
Other
Nominees:
The Aviator (2004) - Tom Fleischman,
Petur
Hliddal
The
Incredibles (2004) - Randy Thom, Gary
Rizzo, Doc
Kane
The
Polar Express (2004) - William B. Kaplan,
Randy Thom, Tom
Johnson, Dennis
S. Sands
Spider-Man
2 (2004) - Kevin O'Connell,
Greg P. Russell,
Jeffrey J. Haboush,
Joseph Geisinge |
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The
annual Sound
Wave Award 2004 went to Sven E Carlsson for
his extraordinary work on his website FilmSound.org.
- "Without
any kind of financial support, Sven has devoted immense
power and a large amount of his time creating the most
important forum on this planet for practitioners of
sound design, film-school students and the rest of all
film sound buffs in the world." - FSFL
>> Sound
Wave Award
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Dane
Davis Articles
Interviews with Sound Designer and Supervising
Sound Editor Dane Davis (The Matrix, Matrix Revisited,
Matrix Reloaded, Treasure Planet, 8 Mile)
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Walter
Murch Articles
Sound
designer and film editor Walter Murch may be
one of the most and diverse below-the-line talents
to be working in movies today. (Apocalypse Now,
The Godfather, The English Patient, Cold Mountain)
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Randy
Thom Articles
writings
by sound designer Randy Thom (Forrest Gump, Contact,
Cast Away, Harry Potter and the Chamber of Secrets) |
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The
Soundtrack: A Basic Introduction
written
by Dr. Fred Ginsburg C.A.S. |
There
are a number of readers who have absolutely
no interest in the world at all about doing sound.
You may have aspirations to Direct, Produce, D.P.
(director of photography), Edit or whatever. |
For
those of you, I suggest that you need the information
contained within these pages even more than the
future sound mixers - for they, at least, will eventually
learn through trial & error. |
You
may never have to personally record sound,
but much of what you do in your specialty will hinge
directly upon the success or failure of the sound
crew. |
Visit
Production
Sound for Film/TV -
educational resource for those interested in audio
for film, video, and TV |
|
Post
Audio FAQ
Frequently Asked Questions about Film & TV Post-Production
|
Sound
by Design
by Nick Peck "The sound-design process is no real mystery."
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Robert
Bresson's Notes on Sound
Lang's
M - Editing Sound as Visuals
Blue
Velvet -
a
mixed genre film with horror film sound
ARCHIVE
FOR THIS PAGE
Film
Sound Bibliography
Film
Sound Theory and Postproduction Books and Articles.
Visit New
for more articles, radio programmes etc.
Film
Sound History
Sound
recording and the ability to photograph and reproduce
motion pictures began intersecting at the very
beginning, 1895!!!!. -
Articles,
Timelines, Books,
and
more
Sound
Design of Star Wars
Articles about how Sound Designer Ben Burtt created
the signature sounds for Star Wars.
Film
Sound Clichés
Film
Sound Stereotypes and Common Logic Flaws
Film
Sound Questions & Answers
-
"How to learn the art of sound design?",
- "How to design a new language?" -
"What is the sound of nothing?" ..and
more
Foley
Artistry
Beginners guide, Interviews with Foley Artists,
Who was Jack Foley? ..Foley Tips .. and more
Animation
Sound
Introduction
to Animation Sound, The Test Screening of Steamboat
Willie, Links to Sound and Music articles from
'Animation World Magazine'
Game
Audio
On-line
Articles, and link to the Sound & Music section
at Gamasutra
Terminology
& Glossaries
Dilettantes Audio Dictionary, Dolby Laboratories'
Glossary, Larry Blake's Glossary, Philip Brophy's
Adiovisual Concepts, Film Sound Terminologies
and more
Film
Music
Articles, How to FAQs, Links to Film Music Resources,
Film Music Books and more
Sound
Design of Sci-Fi Films
The Fifth Element, Lost in Space, Contact,
Men In Black 2 Minority Report, Terminator 2,
Star Trek ,Matrix and more
Home
Theatre Sound
Beginners Guide, How to Best Design your Room,
Glossaries, and FAQs
Misc
Acoustic-Ecology,
Sound Scape Studies, Architectural Acoustics etc
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ARCHIVE
FOR THIS PAGE
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DISCLAIMER
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FilmSound.org is a non-profit site
created for the sole purpose of promoting
and encouraging the art of creative sound
design. |
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All material on this site are presented
here for educational purposes only and are
credited to their source when possible. |
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I
do not wish to infringe on any party's
rights under trademark and/ or copyright
law. If anyone who holds the copyright to
any of the images, texts and sounds on this
site, object to their presence here, please
e-mail me and said material will be removed.
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